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Chapter Three will be on The Royal Tenenbaums , and will focus on how the music is closely linked to the Tenenbaum family and Margot Tenenbaum specifically. Flinn applies her ideas of repetition and memory in her analysis of the films Detour and Penny Serenade to discover that the characters that control the musical repetition can control the memories in a good way while the characters not in control of the musical repetition will find the memories painful and limiting. I will check all links and replace his, thanks. In addition to the different types of music heard on the film soundtrack, there are various. It will also focus the music he was unable to use in the film.
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