Follo i g a i estigatio of the fo al diffe e es a d si ila ities et ee the pop o igi al a d punk-rock cover, interpretation of gestures through recorded sound raises many questions. Notwithstanding the work of Moore , tools for the non-notated parameters of popular music are less established than tools for notated parameters. Markus Frei-Hauenschild studied historical musicology, ethnomusicology and folklore at the University of Goettingen where he received his PhD in with a dissertation on the string quartets of Friedrich Ernst Fesca. The theory also incorporates contour theory. Specifically, I will present an analytical model of distortion motives and distortion structuring in the compositional design of two Metallica songs, Enter Sandman and Nothing Else Matters , as well as other compositions from the repertoire.
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