From the late s through to the end of the s, the British Phonographic Industry BPI calculated that between 30 to 40 per cent of their dealer price revenues would be taken up by this expenditure Scaping and Hunter ; Scaping The final results are both surreal, heightened and like a woken dream.. Ralph W. Attali, J. Five years into their collaboration, having succumbed to self-described "bleep fatigue," they shifted gears in with a new name taken from the British horror film I, Monster and a new sample-based, song-oriented approach to music-making.
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