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After the fall of the Berlin Wall, the world woke up changed. I, Jonathan marries the airtight pop construction of Brian Wilson to the crustpunk ethos of K Records as it narrates all the triumphs and tribulations of 20s adolescence. Grunge bands of the day were nosing into darker corners, but only Rage seemed hellbent on flooding them with light—whether via truth or explosion. No Jheri curl, no mercy. It was their biggest success to date, shaking off the vestiges of the post-riot grrrl era and euphorically laying siege to the cloistered rock establishment.

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