Normally each school has at least four and sometimes more Puxadores, plus other musicians and singers to help. By putting into perspective, the socially constructed nature of the technical standard, the ways in which it is imposed and the different forms of musical socialisation of mestres and jurors, it is possible to understand the relationship between the different registers of cultural legitimacy maintained by them. He was also aware that the social significance of baterias went beyond the technical. Because you can, if you would like to. Trained through collective apprenticeship and imitation, they learned to play most of the instruments without formal lessons.
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