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The film programmes that were shown in the cinema after the first year of war show that images of war, even if most of them were products of the imagination, were avoided more and more. Umso wichtiger ist es, eine zentrale Anlaufstelle im Internet zu haben, die das Material sammelt und aufbereitet. Until much later this view was attacked in the early sixties by the Hamburg historian Fritz Fischer in his Griff nach der Weltmacht and caused much controversy amongst German historians. This is especially true for Mosse and Winter. The production of the anti-war film, Westfront G.

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